As I was getting ready to go off to college, a local friend who was 7 years older than I and whom I knew from my theater stuff (and from our backgammon and herb and vodka-and-lemonade evenings with two gay friends) gave me "Stranger in a Strange Land," which I remember slogging through but not particularly liking. I liked the concept of "grokking," but I could not tell you a single other thing from the book, and it certainly did not inspire me to go find more Heinlein. I've since found out--from reading others' conversations--that Heinlein is a rank misogynist, so I'm just as glad I didn't bother.
And, as I've probably
My college had (and has) something called Winter Term, wherein students are required to go do something for a month. Some people take a month-long course; some do an internship; some go volunteer someplace; when I was there, a group of black students retraced part of the route of the Underground Railroad (my college is notable for being the first racially integrated college in the country as well as the first college to educate men and women together, and the town was, in fact, a stop on the UR). Both professors and students teach the courses on campus, and, in retrospect, I suspect that professors use the winter term format to work out new courses as well as to teach or lead a month-long symposium on a subject into which they're delving, out of personal and/or professional interest. Anyway. One of my two favorite college professors taught a winter term course that I took on the subject of Work and the Meaning of Life. (is it any surprise that the meaning of work has been central to my thoughts throughout my sentient life? It's certainly been there for at least 30+ years.) I can still picture--as though it were yesterday--my professor reading a passage from a book a student had given him (I think), Ursula LeGuin's The Dispossessed:
"Here you think that the incentive to work is finances, need for money or desire for profit, but where there's no money, the motives are clearer, maybe. People like to do things. They like to do them well. People take the hard, dangerous jobs because they take pride in doing them, they can--egoize, we call it--show off?--to the weaker ones. Hey, look little boys, see how strong I am! You know? A person likes to do what he is good at doing. . . . But really, it is the question of ends and means. After all, work is done for the work's sake. It is the lasting pleasure of life."
And that single passage made me go to the bookstore, find that book, and then find other of LeGuin's books. Keeping an eye out for her name led me to other names, occasionally, and years later a friend suggested Sherri Tepper. I read The Gate to Women's Country and got drawn in again. Occasionally I'd read something that turned into a space western, and I still don't have much patience for those, and occasionally I stumble across something--possibly a recommendation from someone from Jonquil's flist,--that draws me in. Point being (in so far as I actually have one, which is debatable) that, despite my love for a number of SFF writers, in general my knowledge of and reading in the genres is limited. But when it's done well, I love the freedom to explore an idea. The Dispossessed, for example, asks the question, what would it be like to live in a society that did not have private property? How would that work? What problems would arise? What would happen if someone from that world went to a world where there was still private property? Frankly, it's one of the best explorations of anarcho-syndicalism I've ever seen, and one of my great regrets about leaving academia is not having the opportunity to teach that book in a political theory class.